Conceived as an artistic response to the problem of urban decay and working on the ethos of re-appropriation of negative aspects of the city, ‘Polluted Patterns’ emerge from the surface grime by selective cleaning technologies, creating a sort of ‘Living Wall’.
Light-sensitive photo catalytic white cement or paint, have been screen printed to create ‘negative’ or ‘invisible’ motifs, that gradually become visible over time, as pollutants discolor the area of the surface not protected by these technologies.
That section becomes catalyst of air bones pollutants, while the nanotechnology
breaks down pollutants in the air though preserving the surface from their deposition.
Pollution is defining a lace-like pattern assumed as metaphor of the poisoned air wrapping buildings, cities, everyday environment and affecting people health. Beyond is decorative aspect, is showing the increasing level of poor air quality we breath.